Lyrical solo costumes12/27/2022 ![]() ![]() And that's the kind of stuff that's really fun for me when you have a solo mainly written, but there's always that little extra magic that happens sometimes when you're in the studio just vibing a certain way, or just even how you hit a certain note. ![]() So there was those cool moments that popped out. And I listened back to it, and I’m thinking I’d never be able to recreate that the exact same way. Almost like some kind of wildcard elements that are kind of hard to recreate, where I recorded a weird bend or a weird whammy bar thing. One solo that I'm particularly proud of is the solo for “Godforsaken.” Some cool things popped out when I was improvising on writing in the studio. But also, I like to think about writing solos that fit the mood of the song overall. I try to write a solo that fits, obviously, the riffs of the solo section. In terms of what I was trying to convey, I think every solo conveys a different mood. Because I had that luxury of not having to feel like I was on the clock. Since I was at the helm, I took a little bit of a different approach in terms of the recording where I sort of wrote the solos at the same time that I was in the studio tracking them. So normally, I work out the solos in advance going in, because obviously when you're in a studio working with a producer, time is money. We went into a studio to record the drums, but everything else that I sort of took on the producer role for. When it comes to your guitar solos, what are you trying to convey and can you give an example of a certain solo on a track where you’re particularly proud of?įor this record, I tracked and engineered all my parts myself this time. And it's just a matter of playing with those different influences in different ways that fit the overall aesthetic of the band. Now, I feel like we have a very concrete definition of what the Revocation sound is. We've certainly experimented a lot over our career, working on defining what Revocation is. There's a bunch of different influences in our sound I think we’ve just gotten better at honing them. We always try to do things differently every time when we're writing songs. What was your overall goal of achieving going into the songwriting process and how did you approach the material compared to previous albums? ![]() On Netherheaven, there's more of a prominent death metal vibe, but the technical/progressive thrash elements are still there as well. ![]()
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